Endless Love – 1998
New Yorker’s Daphne Merkin on Nick Broomfield and Courtney Love
Today I ran into and read for the first time an article about Courtney Love in the New Yorker, dated June 8, 1998. That would be seven years to the day after (FBI/CIA) tranced me out and tried drop me off a cliff while on L.S.D. with my army veteran honey trap boyfriend, and it would also have been my daughter’s father’s 36th birthday. I do have reason to suspect there are links between Courtney and others around her, and my daughter’s fathers’ family, especially her cousins the Spinos from Warm Springs, Oregon.
Let’s just say I don’t think the date of the article is a conicidence.
The article explains that Courtney has a number of personalities that she cycles through. This seems accurate. And the article is a bit of a review about the Nick Broomfield movie called Kurt and Courtney.
There’s a lot to parse in the article because journalists are forever indicating that they know more than they let on while pretending not to know much.
One of the sentences that stood out to me in this article is about 3/4 through, at the end of paragraph 16 when the writer asks “So how is it that everyone he talked to either hates or fears Love?” And Broomfield responds “I didn’t find anyone who had anything wonderful to say about her.”
When journalists are letting you know they know about something linked to Chris or me, they typically do it in the last sentence of a paragraph, as if between the paragraphs, there’s a second part left unspoken and understood.
Chris had been interviewed for Kurt and Courtney. Valarie was also there. I don’t know if Chris had “wonderful” things to say about Courtney, but he always said he had nothing bad to say about her, and Flying Heart/Jan Celt told Chris and the local music press that the reason the footage with Chris did not appear in Kurt and Courtney is because it was a hit piece and Chris had nothing bad to say. Chris and Valarie had pet rats and he told me that when the camera crew was there, Valarie was letting baby rats run in and out of her mouth.
See how I just did that end-of-the-paragraph thing?
Another thing about that movie is that Napalm Beach’s cover of Wipers Potential Suicide is mentioned in the credits, but it it not used in the movie. I suspect that’s also hint of some type. Look at the pattern of songs on the original 1992 release of 8 Songs for Greg Sage.
Once again – Napalm Beach wasn’t the only band being set up for a fall.
Nirvana was also being set up for a fall.
The occultists are fascinated by opposites. Black/white. Good twin/Evil twin. The first/the last. The biggest/the smallest. Up/down. Beginning/End. Napalm Beach was the oldest of a group, and Nirvana the youngest.
A vanishing point, in art, looks like the top of a pyramid or the center of an X. “One above, one below” – and yet somehow, both end up in the dirt.