April 6, 1994 – New York Times front page – clues

Every version of the story told openly is that Kurt Cobain was missing on April 6, 1994, but not in a public way. In reality, he was lying dead in his greenhouse. The story that I “received” (psychically) is that Cobain’s April 5 suicide was captured on surveillance video, and distributed or possibly even trafficked by the FBI/CIA to the usual suspects – journalists, celebrities, political leaders, global financiers, etc.

What newspapers like New York Times do when something like this is either being planned, or has happened (and this includes the 9/11 attacks) is sneak commentary in between the lines. Part of this is achieved with language, part with images, and part is achieved with juxtapositions – what articles appear next to what other articles. Also, as I said in an earlier post, the name of the reporter covering a story is often significant, as in containing a hidden reference to something.

Here is a small corner of the front page of April 6, 1994 New York Times that caught my attention. Cropping a portion of a document in a photo can bring out things you might otherwise miss. (Commentary below image)

April 6, 1994 New York Times front page detail
New York Times, 6 April 1994, p1

In this section of the front page is an article about Serbian attacks on a Muslim town in Bosnia-Herzegovina. Nirvana bassist Krist Novoselić is Croatian. Also, throughout these issues I see what I think are allusions to the impending 9/11 attacks, which were manufactured to seem to be a grudge held by a group of radical Muslims against the US. I’m not saying that the attacks were not that – I’m saying that, like Cobain’s suicide, the entire situation was manufactured by the CIA from start to finish. In other words, yes, Cobain committed suicide, but he was also murdered. Yes, the 9/11 attacks were an attack on the US by a group of radicals, but it was also a type of false flag. In other words, with mind control technology, the human brain itself is hacked, hijacked, and weaponized. Our current legal system doesn’t deal with this, but it needs to, because the human brain is a powerful weapon.

There’s an article that says “Teamsters Strike Stops Activity of Big Haulers” by Catherine S. Manegold. So we have the word “big haul” and the name “Manegold” – not sure what to make of this but it seems like it’s something linked to finance. (Headlines I believe are created by editors, not the reporters.) And then, the article – and this was the beginning of a series of articles – that caught my attention first, was the article about Supreme Court Justice Blackmun retiring. Was Cobain seen as a type of Justice?

The thing that first caught my attention with this article was the sub-heading “Departure Is Unlikely to Alter Ideological Makeup of Bench.” Words that might be significant – departure, alter, makeup, bench. With regards to the word “alter” – there is a potential play on alter/altar and the idea of “alternative.” “Alter” is I believe a trauma-based mind control term for a secondary or alternate personality (I can’t recall where I’ve heard this, but I feel like I’ve heard it a lot) and yesterday it occurred to me that something of this could be implicit in the idea of “alternative” music which was the industry-friendly word for grunge and grunge-adjacent music of the 1990s.

The word “altar” appears at the end of the Cobain suicide note. “Frances, Courtney I’ll be at your altar” – but to me it looks just as much like “I’ll beat your altar.” Deaths are fetishized.

Francis is a person caught in the middle but Courtney was old enough to have agency. I no longer feel much empathy for her. Not after seeing what happened to Chris Newman. And the truth is, she knew this was going to happen to Kurt and to Chris and she actively played a role in bringing it about. She herself does not possess true empathy. I saw her bait and switch Chris with regards to things like she was going to write a book and mention him so he wouldn’t be forgotten. Around 2016 she told him that she remembered he had taught her to play guitar, which, if true, would be a very sweet thing to say in a book, though he didn’t remember teaching her to play guitar. When she did have someone call him about a book, that person only asked Chris about other random people, implying “you don’t really matter, Chris Newman.” Courtney didn’t call him herself. And she never wrote the book she’s been saying she’d write for years. It’s all bait and switch, wash rinse repeat until he’s dead. And then the community fetishes another fresh kill.

I’m sick of it and I sure don’t want to be next on this disgusting menu.

Back to the New York Times – look at who wrote the Judge Blackmun article – Linda Greenhouse.

“I just don’t want you to be shocked – that he’s a Blackmun”

Financed mobs, butterflies, and the murder-by-suicide of Kurt Cobain by CIA/FBI

Kurt Cobain shot himself in his greenhouse on April 5, 1994. His body was discovered on April 8. But it’s clear the suicide was captured via hidden surveillance devices that surround all “butterflies” or subjects of trauma-based and frequency-based mind control research as he was, I am, my daughter is, everyone around me is, Chris was, and Courtney Love is. I can give evidence for all of this. In addition, with both Courtney Love and Kurt Cobain, there are a lot of parallels between their early lives and mine. These parallels could shed light on centers of mind control activities, and/or related finance.

These “experiments” are really financed games played with people’s lives. People are treated like dolls or objects. Human avatars. Some, like Courtney Love, seem to accept their role in the mess and play it like it’s a hand that’s dealt. Others, like me, and I would say also Kurt Cobain, resist. Still others, like Chris, can’t even see that it’s happening at all. That probably has to do with what kinds of opportunities are or are not offered offered, the personality of any given person, social/familial engineering, and how frequencies are used to manipulate each person’s body and brain by those wielding the weapons.

With regards to Courtney Love, I started out believing she was a sympathetic character who wanted to subvert this system. This was shown to be deception. The longer this goes on, the less sympathetic I find her. It’s not like I wasn’t warned, but those warning me could never quite articulate what they were warning me about. “Courtney Love wrote in her diaries she’s going to fuck the Chris Newman, the guitar god.” What does that mean, exactly?

I know that she’s behind financing slander to get people killed. I think it’s because she’s scared of exposing herself, and yes, her role in the takedown of Kurt Cobain. She was an adversarial honeytrap, but has been trying to play it otherwise. And all the Nick Broomfield “Kurt & Courtney” stuff, and the associated online mobs, is misdirection. Love never tried to pay anyone to murder Kurt Cobain because she wouldn’t have had to, and because she was never the mastermind of the situation. That mastermind is the CIA/FBI. Also, Courtney Love is only one player on a very large field full of are lots of little monsters to reckon with. People who are trained to live this way – selling salacious stories to the FBI, getting their “friends” killed, and pretending they loved them all along. In Chris’ case, the situation was, from my perspective, particularly obscene, with memorials held at Satanic-themed venues, like Faillace’s clubs, that helped finance Chris’ murder.

Chris Pugh

You’re personally responsible for
The entire strip to be washed away 
Cleansed as if gallons of, um, rubbing alcohol
Flowed through the strip and were set on fire
It didn’t just singe the hair, it made it straight…
— Nirvana “Gallons of Rubbing Alcohol Flow Through the Strip” (1993)

“Singer/guitarist looking for a cross between Black Flag and Black Sabbath. Will straighten hair for the right band”
— 1980s Rod Moody Rocket ad looking for a band.

Several times last night the name “Chris Pugh” came to me – and instead of trying to translate the I’ll just use the language that comes to me about him – “snickbait Gruber, Lemony Anne Boleyn files, CFI, FBI, CIA Timpanicking Gruber”

I have never met this person. He was in the 1980s Seattle band Swallow. Their bio often contained the aforementioned “band wanted” ad, which is interesting in the way it seems to interface with Kurt Cobain’s ad libbed lyrics from “Gallons of Rubbing Alcohol Flow Through the Strip.” A few things standing out to me about Swallow – the band has been labeled “motorcycle pop,” a hint about financing. Pugh and Sub Pop co-founder Bruce Pavitt have known each other “from their college days in Olympia, WA” (allmusic.com) – so sounds like he went to Evergreen, was in Olympia in the 1980s.

Other bands Pugh has been in, include “Crime Family” (band names are not irrelevant – other Olympia-linked band names include The Makers and Family Gun) and Creep. The phrase “Creep Store Seattle” comes to me a lot, and I understand it to be financed malfeasance coming from, or through, Seattle.

When I first discovered signs of malfeasance around Pacific Northwest music scenes, in late 2013, early 2014, I was on Facebook with a network that included a lot of people in the Sub Pop orbit, as was Chris. I remember that at that time, Bruce Pavitt changed his Facebook photo to a picture of – it seems like it was himself standing in front of a door or a mirror with Jerry Garcia etched on it, holding a bottle of champagne.

New York Times – what do they know and when do they know it?

As I’ve been writing these posts, I know, due to my, you know, psychic abilities that various entities and individuals are, somehow, somewhere where I can’t see, continuing with or accellerating/snowballing their FBI-facilitated libelous attacks. Dealing with this is a challenge, because I don’t get a lot of detail about what, though often names come to me. Dan Cuneeen. Louis Samora. Tobi Vail. Witchypoo. (It’s Op Anne Boleyn.)

I don’t like saying I’m going to do something and then not doing it, and I said I’d look at the New York Times between Cobain’s suicide and the discovery of his body and I predicted I’d find clues that New York Times writers already knew he was dead and were weighing in behind the scenes. So I did look, and I did see signs of this, but I also realize this is for my purposes, not the most productive way to spend my time. Mostly, I want to make the point that this goes on all the time. And for others who want to see the light, it’s useful to take something like Times Machine after a world-shaking event, especially something that has signs of being mind control linked, and looking back at the lead up, and seeing what you can see. This sort of thing goes back decades.

By way of summary, I was a bit surprised, or at least did not expect to see things that seemed like they might be links to the 9/11 attacks in this time period (4/6-4/9/1994). In retrospect it makes sense, because both the suicide of Cobain and the 9/11 attacks were earth-shaking events in their own way, and both were done with mind control technologies, as part of a larger strategy. I am not going to get into it too much here but one phrase I noticed repeated was “Giuliani’s cuts.” NYC WTC Twin Towers were designed by a Seattle-born Japanese American architect, so there are Seattle links.

Another thing I’ve noticed in news stories is, weird as it seems, names of reporters covering stories are sometimes significant.

April 6 1994 NYT p 1 stocks rebound
April 6, 1994 NYT front page - children played pilot in Aeroflot jet that crashed
New York Times front page, 6 April 1994

April 6, 1994 – Stocks and Serbs surged, children played pilot in Aeroflot jet that crashed.

Nirvana – Sappy – updated information from Gillian Gaar book

This 2018 video about Nirvana’s song Sappy is important for a few reasons. For one thing, it shows the skin on my face developing burns in real time, as I was being attacked with directed energy (microwave) weapons. For another, I’m talking about some real stuff – the idea that Cobain’s song Sappy was taken from my 1988 journal entry/poem called Caterpillar Jar. Possibly related, I was in Minneapolis/St Paul at the time, and unbeknownst to me, Courtney Love was also in Minneapolis, hanging out with, even possibly staying with, with a girl I considered a best friend. I now am pretty convinced that the “he” referenced in the Nirvana song “Sappy” is Mike Payne, my boyfriend at the time.

One of the things I said in that video (I think – I know I said it somewhere) was that according to the Wikipedia page on Sappy, the song “dates back to at least 1987.” It then goes on to describe the first home demo as going back to the “late 1980s.” Since my Caterpillar Jar poem was written in 1988 (March 88 IIRC) – compelling evidence that Sappy was written in 1987 would detract from my argument that it was a deliberate spin-off of my poem, Caterpillar Jar. Though as you seen in other entries it’s hardly the only 1980s journal entry of mine that made its way into a “grunge” song. Still, I wanted to find out whether there was real evidence to support the dating of the song back to “at least 1987.” The Wikipedia entry (footnote 3) referenced page 5 of a 2006 Gillian Baar book called 33 1/3: In Utero.

And today I received my copy of the book, which I eagerly opened to find out what kind of evidence there is to show that Sappy was from 1987 or earlier. Turns out, there’s nothing about that at all. The only thing on page five is a reference to the earliest recorded version of Sappy dating to the “late 80s.” I already knew that.

So that statement about Sappy dating to “at least 1987”? Has no source. It looks like it’s linked to the Gaar book, but it’s only because it’s right before another statement that is linked to the Gaar book, creating a false impression that there’s support for the statement. But there isn’t.

To me, this creates more support for my assertion: That Cobain’s lyrics for Sappy are directly and knowingly based on my March 1988 poem, Caterpillar Jar.

“Psychic pain”

Script keepers are crypt keepers, and crypt keepers are script keepers.

Those of us who have biomedical implants, like Kurt Cobain did, have abilities that can appear to be psychic. The mind – all parts of the brain – literally wirelessly controlled. That’s how relapses are forced, or people are made fat, or skinny, or even suicidal.

he said really i just wanna dance
good and evil matched perfect it’s a great romance
i can deal with some psychic pain
if it’ll slow down my higher brain
veins full of disappearing ink
vomiting in the kitchen sink
disconnecting from the missing link
this is not my life
it’s just a fond farewell to a friend
it’s not what i’m like
it’s just a fond farewell to a friend
who couldn’t get things right…

Elliott Smith, “Fond Farewell” Basement on A Hill 2004