Tag: Chris Newman

Back to the 1980s – Peter Gabriel “Big Time”

Before I ended up being diverted and having to talk about the 60s and 70s, etc, I was focused on documenting Chris’ history playing music in clubs in Seattle and Portland though I know he played a fair amount in the SF Bay Area as well – I just don’t know how much, or what clubs I’d been looking at. Anyway, I started to see a strange pattern around Chris’ gigs in Seattle in 1987 and 88 and the beginning of Sub Pop, and I also started to see a strange pattern with regards to Chris’ bands and Nirvana specifically between 1988 and 1991. During those years, Napalm Beach was frequently playing the same clubs as Nirvana, and they would play a week or two apart. As I was looking into this, it seems like things got really weird and I was drawn into covering all this adjacent stuff.

Yes, I would prefer to focus on topics that I think will garner movement, in court. Because I don’t know how else anything will ever get accomplished. I see no reasonable route out of wonderland. It seems like nothing but a crime and murder spree to me. The physical attacks have been ceaseless and the lies exhausting. Roxy is being attacked right now.

It looks to me like Chris was extremely productive between 1980 and 1988. In the late 80s, he began to have issues with drug addiction – first cocaine, then heroin, though he continued to play regularly. Meanwhile, he had been lured into contractual agreements with Jan Celt who was operating a fraudulent operation on behalf of other interests in the music industry and/or FBI/CIA. Celt was another form of honeytrap – he offered friendship, a place to stay sometimes, and he helped put out records, but he didn’t adequately promote or distribute and he also participated in drug use with the band. Chris told me Celt basically let the records sit in his basement. Celt misrepresented his intentions; he insisted on taking all the publishing rights; and when Chris was being threatened by drug dealer over a small amount of money, broke and in fear for his life, Celt forced Chris to sell his Snow Bud and the Flower People catalog under duress, for $6 per song. Valarie had once admitted to me (probably around 2010) that she knew that Celt’s deals were fraudulent. I asked her to write a statement about it and she said she would, but of course she didn’t. That’s how people operate in this take down. They don’t follow through and hope you’ll forget you asked. There were old copies of – I think it was a magazine called Two Louies online, where Celt was quoted as telling a story that was basically the true story, except turning Chris into the Snow Bud character, saying Snow Bud had to sell his catalog to escape a drug dealer. So he was basically bragging about his theft. That online article seems to have vanished, as so much evidence has gone missing over the years. Signs are pretty clear that money is being paid to the FBI to destroy Chris and other artists. The point is – these contracts were fraudulent, some to a really egregious level. And Valarie, who had previously acknowledged this, would not put it into writing, and the moment Chris died (if not before) she lept over to the side of Jan Celt praising him for the work he did with Chris “saving his catalog” etc. Complete lies. She is completely untrustworthy and I believe also on the take.

Jan Celt has worked for decades for Multnomah County Library. Chris has released many albums over the years. A search reveals that the library has exactly one of Chris’ CDs (Fire, Air, and Water); and to my recollection that was also the case years ago. Similarly, EMP in Seattle apparently had a single Napalm Beach flyer on display. Napalm Beach/Snow Bud played more shows in Seattle in the 1980s and 1990s than Green River/Mudhoney and far more shows than many of the other groups who are well known as part of the “Seattle scene” of that era. This is not about sour grapes and a band being “overlooked” and it certainly isn’t about Chris being worthless. If that were the case they wouldn’t be regularly headlining weekend shows as they were. No, this was – and still is – a coordinated take down. And in the local papers – Willamette Week and Portland Mercury – what I’ve seen is they’ve gone from scant mentions to literal erasure, and this happened while Chris was still breathing.

Meanwhile, we have guys like Eric Danielson now trying to turn Chris’ life into some “cautionary tale.”

This stuff is old and it stinks. To me, it feels like endless loops of rape and assault.

The blacklisting and the attacks are out of control.

Back to 1987.

I need to take another look at Sub Pop. They seem like they modeled themselves originally not just on K Records but on other labels like Slash in Los Angeles and Subterranean Records in San Francisco. But they also seem to have been immersed in the occult – maybe all these labels were. I don’t know if that was their idea or if it comes from the CIA and/or bigger components of the recording industry. Courtney Love is a link to the occult and to the CIA. I also think Mike Payne was making deals with them.

Peter Gabriel’s 1987 music video for Big Time describes a path to wealth that seems to be based on Whitey Bulger finance (the last line is about a “bulge” growing bigger). It seems it is linked to doing murders via reports to the FBI. The video begins and ends with the words “Hi there!” Snow Bud seems to be a character traveling underground, popping up at the end “Hi there!” But there’s all this effort to smash him, with concrete blocks and so forth.

Rozz Rezabek / FBI files

The powers behind this crime have been amazing in their capacity to weaponize friends and family – the people you trust the most. In some cases, childhood friends were secretly and perhaps slowly turned against us, though likely they grew up in families who were strategically positioned for this purpose. I’ve been able to see traces of this looking at census data on ancestry.com. Just as, when I was driving to California in January 2014 I was surrounded by a swarm of infrared-equipped weaponized cars and trucks, it seems that my family, Chris’ family, and my daughter’s paternal family were always surrounded by weaponized neighbors; families with a mission.

I recently have been writing quite a bit about Courtney Love, a person who came into Chris Newman’s life around 1980 in the capacity, he thought, as a teenage friend and fan, but who was actually, literally, on a mission of destruction. In 1981 or 82 Courtney started a relationship with a man named Rozz Rezabek, four years her senior.

Over the past three days or so, I’ve had this experience of dreaming about one person every night, with this idea that there is more to say about them, regarding malfeasance. First it was Courtney – and I should go back and examine what I dreamt about, because I see increasingly that there’s an intertwining with Rozz, California – hospitals? bikers? – and then the next night it was Mark Lanegan (another person to revisit), and last night it was Rozz.

I remember dreaming about Rozz, forgetting the dreams, just wanting to sleep, and then I had this dream where I saw a photo of Rozz in large resolution, 1500×1500 pixels, linking it to my discovery of Courtney’s photo on January 6 at Satyricon, and all the questions I starting asking about what was going on at Satyricon in January 1989 and increasing signs of a larger strategy at work aimed at both Chris Newman and Kurt Cobain.

Rozz was born in a small coastal town, Bandon, Oregon. I know that about him, and then everything about his past is a blank to me until the late 1970s when in November 1977 he joined a San Francisco punk band called Negative Trend. According to Wikipedia, Rozz was only in Negative Trend for four months (!) Granted, it seems to have been an action-packed four months, but maybe what is more significant is the positioning of Negative Trend with regards to the punk rock world. Somewhere, several blog posts back, I hypothesized that the entire punk rock movement was basically a CIA op, and that I also suspected the 1960s flower power movement was also basically CIA, especially the parts having to do with dropping out, turning on, acid tests, doing-crazy-stuff-to-your-kids, Timothy Leary, Grateful Dead, etc. I have also mentioned that in this geography of malfeasance, there are certain bands that stand out, and also, that zines, or zine-like publications also seem to come into the fore. I would right now hypothesize that any time you see a zine pop up, especially between the 1960s and 1990s, you might suspect malfeasance links. I say this entirely based on patterns – I can’t yet explain why. Or maybe it’s not only zines but access to DIY media in general – film, video, audio, photography, and print.

I’m thinking of this now because I see that one of the first members of the band that became Negative Trend was V.Vale of Search and Destroy magazine who seems to be a linking person between the 1960s flower power movement and the punk movement of the 1970s and 80s. I am vaguely familiar with Search and Destroy (a fair amount of Rozz’s punk rock fame is from photos published in that magazine) – but I didn’t know that it had been started out of City Lights Bookstore, linked to Allen Ginsberg and Lawrence Ferlinghetti.

Vale was replaced by Will Shatter, and in 1979 Shatter and another member of Negative Trend formed the band Flipper. Flipper has long been on my radar as seeming to have weird links to people around me I’ve never quite been able to figure out.

Anyway, Rozz quit Negative Trend in March 1978 and then there’s a blank spot in his history again before he pops up in Portland, almost exactly the same time as Chris, and forms a band called Theatre of Sheep. At some point in his life, maybe later in the 1990s I believe that Rozz had dual residences, one in San Francisco and one in LA, bringing up the question, how did he afford it? As far as I can tell, he’s spent his life working odd jobs. But he seems to have links to medicine.

I have the strong sense right now that Rozz was linked to an early 1980s San Fransisco punk band called The Cosmetics, which shared a bass player with Napalm Beach, Dave Minick. I have the sense of this, but no direct evidence. But it makes sense, because having been around Rozz a bit, I am aware that the group of San Francisco punks who were in bands performing and making records between 1977 and 1983, say – is a very close group. They all seem to know each other. Minick for his part is not just a link to San Francisco but to Los Angeles as well as he seemed to have girlfriends and eventually a wife who were from Los Angeles, probably Hollywood specifically.

The cosmetic industry keeps popping up as a potential finance connection going back, probably, to the Chuck Berry song, Maybellene. (Cars indicate finance as well – in the Chuck Berry song, Maybellene is driving a fast car.) When Napalm Beach was featured in the June 1989 issue of Seattle’s Backlash, the caption underneath the band read “Yay, Fabergé!”

My own history with Rozz began in late 2007 or early 2008 when I was working on a recording project with Marty Vincelli. In retrospect, what I see are a series of set ups. Every time I think to myself – “Ok, that was a set up” – and I start pulling on the thread, I realize that one set up led to another set up to another, etc. And I can only imagine this was also true in Chris’ life, and in Kurt Cobain’s life, and I very much fear in my daughter’s life as well. Let me pull on this string for a minute.

I was introduced to Rozz by Marty Vincelli. Marty was I think raised in Oregon but his dad was a northern California Biker, not a Hell’s Angel but Hells’ Angel adjacent (Gypsy Joker maybe) – and a drug dealer. Speed, maybe. (I have a sense of FBI connections, in the sense of financing and concocting false reports about me.)

I was introduced to Marty Vincelli by Tom Harrison who was from Springfield, Missouri, but who had lived in the Minneapolis area. Research I’ve done since we broke off contact in 2005 indicates that Harrison has links to a lot of other places he never bothered to mention to me in the 3 years that we were friends, including Hollywood, California and Irving, Texas. Harrison’s history (and even, possibly, his last name) indicate potential links to Courtney Love and Michael Payne.

And how did I meet Tom? I met him on an internet mailing list aimed at Portland musicians. This was probably in early 2003, before the social media era, when people who wanted to interact one-to-one online did it either through chat, bulletin boards, or email listservs. This was a list serv called PPIUM which stood for Portland Punk and Indie Underground Music, and it was an offshoot of an older listserv called OPIUM – for Olympia Punk and Underground Music. Both of these listservs were run by Matthew “Slim” Moon who had founded, and was at the time still running, the independant label Kill Rock Stars. Moon was also in bands like Earth and Nisqually Delta Podunk Nightmare, and thus was in the Nirvana orbit going back to the Skid Row era (1987). Later, he was, for a period of time, a boyfriend of Mary Lou Lord. This means that Moon has links to both Kurt Cobain and Elliott Smith.

At the time PPIUM appeared on the scene a number of Olympia based musicians were moving to or near Portland, almost like a mass exodus or immigration. I found this mailing list because I was already on another mailing list, maybe called pdx-pop or something – and Moon posted a notice to pdx-pop saying he was starting a new mailing list for discussing music, but he didn’t want it to be for promoting shows. (Something like that. Olympia artists are a bit – controlling – sometimes with interesting results.) More stuff happened to me or around me because of PPIUM but I’ll leave that for now.

So what I discern from all of this is I somehow was introduced to Rozz Rezabek by a series of what seems like chance encounters that ultimately can be traced back to someone linked to the Olympia/Portland music scene, Slim Moon – but that within all of this, looms also the shadow of Kurt Cobain and Courtney Love.

At the time I knew Rozz he was often blogging about his early days, including his crazy-making relationship with Courtney, on his MySpace blog. He’d often talked about writing a book but as far as I know when MySpace crumbled, Rozz’s writings went with it. Rozz had a lot of interesting stories – being at Winterland to open for the Sex Pistols and then never getting a chance to do so, and the chaos of that show; meeting Sid Vicious; meeting Billy Idol; meeting Joan Jett; being at a party with Andrew Wood and becoming so jealous of his rising star Rozz decided to walk home from Seattle to Portland; having a 15 year old fan/groupie (not necessarily sexual) named Stefanie Sargent (would later become guitar player for 7 Year Bitch). His stories about Courtney Love were particularly colorful.

I don’t know if or how much of Rozz’s stories about Courtney were true, but from the collection of stories about her from him and other people – but especially from him – you start to realize that she is incredibly crafty, and to me, I can see she’s been trained, as others around us were trained – in mind control tactics. But Courtney is in a class of her own. She seems to be working from a long-term strategy and she also seems to have access to a tremendous amount of finance and connections – almost like she’s amassed a clone army. By “clone army” I mean, legions of people, bands, etc, working from a common script. I’m not saying she’s at the top of this hierarchy, but I think she’s fairly high up, and that her links to the CIA go back at least to her parents generation. In fact, I’d say it’s clear that her parents – both of them – are linked to CIA mind control. This could be its own essay.

So I met Rozz in 2008, via Marty. At this time, Rozz would have parties, inviting various people – other musicians, scenesters from the 80s and 90s, and some younger women (not sure where they came from). Some of these folks were linked to San Franciso as well as Portland. Some of their histories seemed both interesting and somehow random – one woman, for example, had been the “whip girl” for live performances of Velvet Underground’s Venus In Furs – I guess she walked around stage in shiny boots, cracking a whip?

Chris Newman was at one of these gatherings. I think he was brought by Anton Long. This was one of the early times we “met” – I think I’d met him before this, but we didn’t really know each other. He was married to Denise but she lived in Pasadena.

In talking with Chris later, I learned that even though they’d both been in bands in Portland in the early 1980s, he didn’t really know Rozz. Chris was a serious musician in a way that Rozz was not (this is the truth). Rozz is not at home writing playing and writing songs every day as Chris was. Rozz was into a lot of artistic and creative endeavors, but not interested in artistic success in the way that Chris was. But Rozz was entertaining to watch, and he was able to draw a trendy crowd, and that probably made Chris a bit jealous. Chris could also draw a crowd, but by the time I knew Chris, he was really being pushed down. For example, in 2010, Napalm Beach had to open for the Obituaries. Napalm Beach’s history was far more extensive than the Obituaries who had played a few years, disbanded by 1990, then got back together in 2007. Napalm Beach’s performances were still incredibly powerful. This kind of thing was done to Chris over and over and over, going back to 1990. Honestly, his tenacity in the face of what was thrown at him in terms of set ups and humiliations, was astounding.

Anyway, I liked Rozz and Chris grew to like him as well. But it sounds like Rozz was a connection for us to meet people who would set us up or create damaging reports for the FBI. And then there was a drug/medical thing.

When you get to a certain group of people, there are some really weird connections to hospitals. As far as I can tell, all the major hospital networks on the west coast are deeply involved with FBI/CIA mind control. By this I mean, “punishing” people by literally making them sick (or killing them with cancer, heart attacks, strokes, etc), and rewarding people with drugs and/or not making them sick for a little while. It is a horror show. But there are people around us who seem – I guess the only word is complicit – and relatively unbothered. But it’s weird, because some of these people also either have, or pretend to have serious medical conditions. I’m increasingly suspecting that with some people who are closely connected to this system, they literally go to the hospital for conditions they don’t actually have. In other words, their medical histories are strategically falsified.

Because medical histories are supposed to be private, it’s really hard to prove something like this, but I’ve seen signs of this over and over, with people linked to mind control. I don’t mean that their medical histories are falsified as mine are, to be defamatory – but that they are active participants in this particular form of falsifying – and the agenda is manipulation. Again, this is worth an entire essay. There are just so many tactics and strategies around this mind control system, and a lot of it is cover up, deception, misdirection, and control of focus.

Around 2011 I started to suffer severe increases in back pain. At the same time, I was cut off my opioid-based pain plan at Multnomah County Health Clinic after I delayed a urine test. Even though I was still in severe pain, and even though opioids were the only thing that worked, they refused to relent. Now, this severe pain was actually torture, and it was entirely created via biomedical implants – but I didn’t know that at the time – and even though I’ve known it since 2017, so far there’s nothing I’ve been able to do about it. I still need opioid based pain medications.

Rozz at this time was going to a doctor at OHSU Richmond Family Clinic and getting large prescriptions of oxycodone for chronic hip or knee pain, supposedly from a performance-linked injury. I’m not saying that he does or doesn’t have severe chronic pain – he might indeed have it – but he did not take opioids the way I take them. He took them, at least sometimes, to get high. I will say as a chronic pain patient that I don’t know why any chronic pain patient would do this, because it creates tolerance, rendering the medications less effective.

Based on Rozz’s recommendation, I switched to the same clinic he was using, Richmond Family Clinic. But they refused to put me on an opioid based pain plan, suggesting that I instead try medical marijuana, which I did. But in reality, I still needed opioid medications. Rozz had a lot of these, and fairly frequently I’d find myself in severe pain, and he would give me enough medication to get me through.

Now this is a big no-no for doctors. But here’s the thing – they literally forced me into this position. It turns out that 2011 was an absolutely horrific year for me, pain wise – the exact year all the doctors refused to medicate me. And do not forget – this pain is deliberately being caused. The amount of time in my life that has been consumed by suffering in severe pain is staggering. I’ve had Tylenol overdose scares, and other life threatening situations occur because of this severe pain. And it’s entirely medically concocted. I can show evidence of this now.

So Rozz really helped me – but the situation was entirely a set up.

In the background, apparently have been these “FBI files” – maybe the set up was in part to concoct more files on me, though, like I say, the FBI says they have no files on me. But that really doesn’t make sense, when you look at the big picture. They’re hiding something, clearly.

I will say that even if they had a file saying I – I dunno – let’s say they have a file saying I did 9/11. If so, I still deserve a fair trial like everyone else, to determine whether in fact, I did or did not fly a plane into the WTC and Pentagon.

Another thing about Rozz you might not realize if your only knowledge of him is from what’s published online – is his links to Courtney Love didn’t end in the 1980s. His stories about her extended into the 1990s and he also told me that his interview in the Nick Broomfield movie Kurt and Courtney was an act concocted by him and Courtney together. In that interview, he acts like Courtney is this awful woman he can’t stand. He also, as I recall, pulls out her old medicine bottles, maybe for Valium.

That, and similar things I’ve witnessed, suggests to me that a lot of the vitriol from people around Courtney is concocted. But also, I think a lot of the positive portrayals of her are concocted as well. The aim is to confuse.

What the dream from last night suggested to me is Rozz was connected to the set up of Courtney Love with Kurt Cobain – and thus to the demise of Kurt Cobain.

The size of the image in the dream – 1500×1500 – also links Rozz to a Federal Torts Claim Act against the FBI I filed yesterday with the Department of Justice – and the idea that Rozz has something to do with negative reports about me filed with the FBI (Op Anne Boleyn), which presumably the FBI has been using as an excuse to physically harm me.

Courtney Love stories (the parts I’ve been leaving out)

So now I know Courtney did Kurt Cobain dirty (though not in the way that’s been presented by other sources) and she did Chris Newman dirty, she probably did Naomi Levich dirty, and she’s been doing me dirty too. So I’m not worried anymore about hurting her feelings by dragging out everything else. I’m also not quite as concerned about “protecting” Rozz Rezabek as I’ve been in the past. It’s not that I want anything bad to happen to him, because I don’t. I genuinely like Rozz. But I don’t think that my keeping the diary story quiet is going to be that helpful to him. His life is in danger because of this.

Courtney Love tended to distribute Kurt Cobain’s belongings to other people. Rozz apparently ended up with a lot of them. He said that an ex-girlfriend absconded with a bunch of items, but he still had some when I knew him (2008-2014). Chris Newman often told the story about when Courtney lived in the Napalm Beach band house (first half of 1981), and had left a journal on her bed, maybe even open, and he peeked into it, and read an entry about how she had a crush on him, he was a genius guitar player, but she didn’t know what her friends would say, because he was “fat.” She was just 16 and he was 27. This of course did double duty of making him feel both admired and belittled. His “fatness” as being a deal breaker came up again and again – the same month that Chris and I became a couple – March 2009 – Chris had been out at a bar and run into Courtney Taylor Taylor of the Dandy Warhols who told Chris that the reason he never got anywhere musically is because he “got fat.”

Anyway, make no mistake, Chris was supposed to find that journal. Soon they were making out and Courtney told him she was a virgin and she wanted him to be “her first.” That didn’t happen. However, not long after that, the band drove to Seattle to play a show at the University of Washington Hub, where they made a decent amount of money. On the way back, Chris said, Courtney begged Chris to ride in back with her. He wouldn’t. The other guitar player they had at the time, Mark Nelson, rode in the back with her, and later bragged to Chris that he had “devirginized” Courtney. Chris didn’t know whether or not that was a lie or the truth.

Courtney Love also had a tendency to leave journals behind. I suspect there was something strategic in this. One day, probably around 2010 or 2011, Rozz Rezabek called me up and said something along the lines of “I have a couple of journals of Courtney’s and in them she says she’s going to fuck Chris Newman, the guitar god. Want to see?” So I thought, yeah, I want to see. I went to his house and he handed me two journals, one from the latter half of 1981 as I recall, and one from 1982. This would have been after she was no longer living in the Napalm Beach house. And I looked through each journal and the writing was straight and neat and perfectly spelled and there was nothing about Chris at all in either journal. Rozz didn’t really have a comment about that. What I remember were things about other people in music (not so much musicians as people around the scene), a page with the word “Rozz” written over and over, and a to-do list that included getting Poison Idea into the Berkeley-based punk zine, Maximum Rock n’ Roll. Which apparently she did shortly afterward. I couldn’t find Chris’ name anywhere. Later I asked to see the diaries again and Rozz got real cagey about it, so I never saw them again. But I think that the hidden point was the double meaning of the word “fuck.” It wasn’t romantic.

And by the way, I think that’s how Kurt Cobain also intended to use the word “fuck,” at least in part, when he announced on live TV whenever it was that Courtney was the “best fuck in the world.” And/or it had to do with sex as a metaphor for gaining juice in the music business. Whatever Courtney Love had pulled off in the Napalm Beach band house, and probably in other activities, had gained her access to something powerful. Also, I now believe that the entire reason I was introduced to Rozz was to give her even more power. A lot of this is in the 2010 song “Pacific Coast Highway” – The first line is “I knew a boy who came from the sea” – Rozz grew up in Bandon, Oregon where the sign at the edge of town reads “Bandon by the sea.” With regards to that song, who exactly is the boy who “left me so damaged”? Is she insinuating that it was Chris? Or Mark Nelson? It’s pretty clever to drop hints of this type and allow people to draw their own conclusions.

Chris Newman’s history with Courtney was exaggerated by Flying Heart Records’ Jan Celt. Courtney wrote Chris letters from Europe but it’s not clear that they were literally “love letters” as Celt told the local music press. The were part of Chris’ belongings that were thrown out in 1996 by his landlord and brother in law. Chris said she wrote to him that he should go to Europe. Links between Chris and Courtney were further exaggerated by Eric Danielson in his essay and self-published book/s about Chris, insinuating the two of them had some ongoing romance, or that she had an ongoing crush on him that she only “dropped” when she met Kurt Cobain. As I’ve said before, Danielson has overtly refused to correct “errors” in his writing. That, I allege, is sign of a larger agenda, either to make Chris look self-aggrandizing (which he wasn’t) or to feed the rumor that they had been sexually involved, or to give Courtney even more power by making their relationship seem to have been more, and different, than what it was. I can’t think of a good reason to lie about this.

Courtney herself fed this idea in ways that made Chris feel special. For example, when she saw him with his girlfriend Nancy Loeffler in the late 1980s she said loudly “I would have married you Chris Newman!” and when he saw her play at La Luna in 1994 right after she’d appeared on the cover of Rolling Stone for Live Through This, she greeted him from the stage. That was a nice gesture, but it was always bait and switch after that, and who knows what she was saying or doing behind the scenes. In all honesty, by 1994, he should have had a lot more going for him than having Courtney Love greet him from stage. He had the talent, the tenacity and the catalog. He had done the work.

Marti Wyman, Courtney Love, Ursula Wehr, Robin Barbur (Bradbury)
Marti Wyman, Courtney Love, Ursula Wehr, Robin Barbur (Bradbury) at a Napalm Beach show – Satyricon, 1987

April 6, 1994 – New York Times front page – clues

Every version of the story told openly is that Kurt Cobain was missing on April 6, 1994, but not in a public way. In reality, he was lying dead in his greenhouse. The story that I “received” (psychically) is that Cobain’s April 5 suicide was captured on surveillance video, and distributed or possibly even trafficked by the FBI/CIA to the usual suspects – journalists, celebrities, political leaders, global financiers, etc.

What newspapers like New York Times do when something like this is either being planned, or has happened (and this includes the 9/11 attacks) is sneak commentary in between the lines. Part of this is achieved with language, part with images, and part is achieved with juxtapositions – what articles appear next to what other articles. Also, as I said in an earlier post, the name of the reporter covering a story is often significant, as in containing a hidden reference to something.

Here is a small corner of the front page of April 6, 1994 New York Times that caught my attention. Cropping a portion of a document in a photo can bring out things you might otherwise miss. (Commentary below image)

April 6, 1994 New York Times front page detail
New York Times, 6 April 1994, p1

In this section of the front page is an article about Serbian attacks on a Muslim town in Bosnia-Herzegovina. Nirvana bassist Krist Novoselić is Croatian. Also, throughout these issues I see what I think are allusions to the impending 9/11 attacks, which were manufactured to seem to be a grudge held by a group of radical Muslims against the US. I’m not saying that the attacks were not that – I’m saying that, like Cobain’s suicide, the entire situation was manufactured by the CIA from start to finish. In other words, yes, Cobain committed suicide, but he was also murdered. Yes, the 9/11 attacks were an attack on the US by a group of radicals, but it was also a type of false flag. In other words, with mind control technology, the human brain itself is hacked, hijacked, and weaponized. Our current legal system doesn’t deal with this, but it needs to, because the human brain is a powerful weapon.

There’s an article that says “Teamsters Strike Stops Activity of Big Haulers” by Catherine S. Manegold. So we have the word “big haul” and the name “Manegold” – not sure what to make of this but it seems like it’s something linked to finance. (Headlines I believe are created by editors, not the reporters.) And then, the article – and this was the beginning of a series of articles – that caught my attention first, was the article about Supreme Court Justice Blackmun retiring. Was Cobain seen as a type of Justice?

The thing that first caught my attention with this article was the sub-heading “Departure Is Unlikely to Alter Ideological Makeup of Bench.” Words that might be significant – departure, alter, makeup, bench. With regards to the word “alter” – there is a potential play on alter/altar and the idea of “alternative.” “Alter” is I believe a trauma-based mind control term for a secondary or alternate personality (I can’t recall where I’ve heard this, but I feel like I’ve heard it a lot) and yesterday it occurred to me that something of this could be implicit in the idea of “alternative” music which was the industry-friendly word for grunge and grunge-adjacent music of the 1990s.

The word “altar” appears at the end of the Cobain suicide note. “Frances, Courtney I’ll be at your altar” – but to me it looks just as much like “I’ll beat your altar.” Deaths are fetishized.

Francis is a person caught in the middle but Courtney was old enough to have agency. I no longer feel much empathy for her. Not after seeing what happened to Chris Newman. And the truth is, she knew this was going to happen to Kurt and to Chris and she actively played a role in bringing it about. She herself does not possess true empathy. I saw her bait and switch Chris with regards to things like she was going to write a book and mention him so he wouldn’t be forgotten. Around 2016 she told him that she remembered he had taught her to play guitar, which, if true, would be a very sweet thing to say in a book, though he didn’t remember teaching her to play guitar. When she did have someone call him about a book, that person only asked Chris about other random people, implying “you don’t really matter, Chris Newman.” Courtney didn’t call him herself. And she never wrote the book she’s been saying she’d write for years. It’s all bait and switch, wash rinse repeat until he’s dead. And then the community fetishes another fresh kill.

I’m sick of it and I sure don’t want to be next on this disgusting menu.

Back to the New York Times – look at who wrote the Judge Blackmun article – Linda Greenhouse.

“I just don’t want you to be shocked – that he’s a Blackmun”

Financed mobs, butterflies, and the murder-by-suicide of Kurt Cobain by CIA/FBI

Kurt Cobain shot himself in his greenhouse on April 5, 1994. His body was discovered on April 8. But it’s clear the suicide was captured via hidden surveillance devices that surround all “butterflies” or subjects of trauma-based and frequency-based mind control research as he was, I am, my daughter is, everyone around me is, Chris was, and Courtney Love is. I can give evidence for all of this. In addition, with both Courtney Love and Kurt Cobain, there are a lot of parallels between their early lives and mine. These parallels could shed light on centers of mind control activities, and/or related finance.

These “experiments” are really financed games played with people’s lives. People are treated like dolls or objects. Human avatars. Some, like Courtney Love, seem to accept their role in the mess and play it like it’s a hand that’s dealt. Others, like me, and I would say also Kurt Cobain, resist. Still others, like Chris, can’t even see that it’s happening at all. That probably has to do with what kinds of opportunities are or are not offered offered, the personality of any given person, social/familial engineering, and how frequencies are used to manipulate each person’s body and brain by those wielding the weapons.

With regards to Courtney Love, I started out believing she was a sympathetic character who wanted to subvert this system. This was shown to be deception. The longer this goes on, the less sympathetic I find her. It’s not like I wasn’t warned, but those warning me could never quite articulate what they were warning me about. “Courtney Love wrote in her diaries she’s going to fuck the Chris Newman, the guitar god.” What does that mean, exactly?

I know that she’s behind financing slander to get people killed. I think it’s because she’s scared of exposing herself, and yes, her role in the takedown of Kurt Cobain. She was an adversarial honeytrap, but has been trying to play it otherwise. And all the Nick Broomfield “Kurt & Courtney” stuff, and the associated online mobs, is misdirection. Love never tried to pay anyone to murder Kurt Cobain because she wouldn’t have had to, and because she was never the mastermind of the situation. That mastermind is the CIA/FBI. Also, Courtney Love is only one player on a very large field full of are lots of little monsters to reckon with. People who are trained to live this way – selling salacious stories to the FBI, getting their “friends” killed, and pretending they loved them all along. In Chris’ case, the situation was, from my perspective, particularly obscene, with memorials held at Satanic-themed venues, like Faillace’s clubs, that helped finance Chris’ murder.

Misery Men, Cat With Nine Lives

Somehow I ran into a band called “Dudes of Misery” which featured Snow Bud bassist Nathan Jorg. Nathan is among Chris’ backstabbing friends, sad to say, being as they have played together since the early 1990s. I saw that Dudes of Misery – sounds like a play on “Turds of Misery” – had done a memorial tribute to drummer Sam Henry. I saw they were a spin off of another band called Misery Men. I saw some of Misery Men’s videos. I spent a bit of time thinking about this one

By way of background, I had a dream in 2020 that Sam Henry was in danger from the cancer causing radiation beams that are killing so many musicians, and others. The day after I had the dream, Sam called for Chris and for some reason I picked it up – maybe Chris asked me to answer. I spoke to Sam for a moment and he said goodbye to me in this weird final way that people sometimes do, like they expect me to die. I have been fully aware that there have been murder plots against us, I just didn’t know until after Chris was already gone that the process involved (somehow, I still don’t know the details) reporting to the FBI, but that these reports are financed, and people say and do what financiers want them to say or do. They twist truth, make ups salacious stories, etc. The ultimate goal is to get people killed. And the FBI/CIA goes along with this, probably because it’s their idea in the first place, and/or because they too are getting paid for taking out certain people and not others.

This is a crime covered up in no small part by its audacity. If you don’t already know this is going on, you probably wouldn’t believe it. And even if you do know it’s going on, you are unlikely to draw attention to it, because of the nature of it (retaliatory lies leading to cancer) and who is involved (the Justice Department and the entire health care system).

When I watch the video above, I feel pretty certain that the guys making the video – everyone but Sam – knew Sam was on his way out. One of the things going on in the video is they seem to be pointing to the structure of the crime, giving hints about the system that is being protected through these covert cancer murders.

This video came out Sept 10, 2021. Chris had died four months earlier, on May 9, and to my understanding, Sam did not yet know he had cancer. He would die in February, five months later.

I didn’t see the video until about a week ago, after Sam was already gone, but I could tell from the first frame, this was about murdering Sam. “Out front, let’s get Sam!” in front of a big eye (surveillance symbol). This imagery also seems to link to imagry in the 1992 Pearl Jam video “Jeremy” about a boy who shoots up his school

Next you see this guy who seems to be in the back room of a home or record store, listening to this Napalm Beach album, Fire, Air, and Water (where the song was originally published). Beneath his stereo are two boxes that say RUSH on them.

Flash to this image of their band with Chris and Sam in the middle. One photo has a pot plant in it. Although the song is a Napalm Beach song, it’s increasingly clear that the band Snow Bud was/is especially fetishized. Much of the video takes place at the grave of Andrew Loomis who played drums with Snow Bud as well as with Dead Moon who are also heavily referenced in this video. The bassist of this band, Kelly Halliburton, essentially became Andrew Loomis’ replacement when Dead Moon became Pierced Arrows, and Sam played drums for Halliburton’s other band, Don’t. All of the guys in this band, Misery Men, have been playing music in Portland since the 1990s I think.

There’s a focus on this poster, maybe in part because of the red and white colors which seem to be linked to assassinations, but the way the camera moves, seems to be about to focus in on the name Mudhoney.

The poster is from 1989 and Mudhoney didn’t actually play on this bill …

Camera moves from the poster to this stack of cassette tapes

A view of the posters on the wall – Bad Religion (over Hitler’s face) at La Luna, Black Flag at Starry Night, Devo, Faith No More, Alice In Chains, Tad… Motörhead and Megadeath – Dead Moon on the door. The Napalm Beach album he’s listening to is linked to Flying Heart Records. My contention is all the contracts with this label are fraudulent, because they were made on behalf of outside interests specifically in order to bury the band. Obviously Chris didn’t know this.

This is part of the reason why Chris and Sam were murdered. The desire to get away with, and continue, a global crime and to maintain a global crime network.

A poster for Napalm Beach at the Met, probably from 1981 or 82. Dante’s appears later in the video, it is the same building as the Met. The Met was an all ages club, and in those years it was Courtney Love’s stomping ground.

You see a lot of these mirror reflections which I think refers to presenting or showing someone backwards, or even as the opposite of what they are. False portrayals linked to occult “twin” assassinations by FBI/CIA.

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The cat is shown. I think that part of the reason for choosing the song (and showing the cat) has to do with how my cat Roxy is being tortured as a means to punish and traumatize me. And that too is linked to these false stories.

He’s wearing a t-shirt featuring a design taken from Snow Bud and the Flower People original 1986 cassette. (I scanned the cassette cover to make the design for these shirts back in 2010.) The names here are real guys but it also seems to refer to the crime structure – a vortex conductor might be the person who arranges set ups and scripts, creating a vortex to drop people into. If everyone reports that one of their community members is doing terrible things, it must be true, right? Why would so many people (driving new cars and building new homes) lie?

The vinyl dictator probably has to do with how people “sell their souls” to make a record. If you want a record deal or music video, you just need to file some nasty reports with the FBI.

As he walks out, you see a bunch of cars and a brand new wooden fence next door, all of which are rewards people get for filling nasty files with the FBI.

The next scene is at the Candlelight, a bar and Chinese restaurant in our neighborhood. This is where they find Sam. Two masked men walk into the bar and say “come on, let’s get out of here.”

It’s a death symbol. Doubles, twins, the masks.

Death is minimized by this occult group as something like going to another location.

From this point, there’s all these quick cuts of locations cycling between Dante’s Inferno, a bar and music venue; Mary’s Club, a stripper bar (Courtney Love worked there), and Andrew Loomis’ gravesite

Mastered by Tad Doyle. The crow is drinking from a Benson bubbler. This is Dante’s.

Surveillance sign on door, cut to Mary’s Club

Music Millennium Record store

At the end of the video, Sam helps to steal his own record.

Part of what’s going on, possibly, is Flying Heart Records says they don’t make any money, so there are no royalties being paid. But I think that people have simply been trained not to take Chris’ music or rights or professional aspirations seriously. His music is listened to in back rooms, like some kind of private ritual.

I have said before that the same community who helps get people killed are the ones creating memorial shows.

But what puzzled me most about this video was Chris’ little brother Jeremy commented on it.

I don’t understand any of this.

Sam was still alive when he made this comment. One thing I do know is Chris did not like the way Andrew’s gravesite was being treated like a party site.

I guess my first thought was “did you even know your brother?”

And after that I feel like I don’t believe a word he says. I don’t think he cares what Chris felt or thought. And I don’t think he believes in heaven, either.